THE HISTORY OF DON QUIXOTE, Vol. II., Part 22.

The Project Gutenberg EBook of The History of Don Quixote, Vol. II., Part
22, by Miguel de Cervantes

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

Title: The History of Don Quixote, Vol. II., Part 22

Author: Miguel de Cervantes

Release Date: July 22, 2004 [EBook #5925]

Language: English

Character set encoding: ISO-8859-1

*** START OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 22 ***

Produced by David Widger

DON QUIXOTE

by Miguel de Cervantes

Translated by John Ormsby

Volume II.,  Part 22.

Chapters 15-18

Ebook Editor's Note

The book cover and spine above and the images which follow were not part of the original Ormsby translation—they are taken from the 1880 edition of J. W. Clark, illustrated by Gustave Dore. Clark in his edition states that, "The English text of 'Don Quixote' adopted in this edition is that of Jarvis, with occasional corrections from Motteaux." See in the introduction below John Ormsby's critique of both the Jarvis and Motteaux translations. It has been elected in the present Project Gutenberg edition to attach the famous engravings of Gustave Dore to the Ormsby translation instead of the Jarvis/Motteaux. The detail of many of the Dore engravings can be fully appreciated only by utilizing the "Enlarge" button to expand them to their original dimensions. Ormsby in his Preface has criticized the fanciful nature of Dore's illustrations; others feel these woodcuts and steel engravings well match Quixote's dreams.            D.W.

CONTENTS

CHAPTER XV
WHEREIN IT IS TOLD AND KNOWN WHO THE KNIGHT OF THE
MIRRORS AND HIS SQUIRE WERE

CHAPTER XVI
OF WHAT BEFELL DON QUIXOTE WITH A DISCREET
GENTLEMAN OF LA MANCHA

CHAPTER XVII
WHEREIN IS SHOWN THE FURTHEST AND HIGHEST POINT
WHICH THE UNEXAMPLEDCOURAGE OF DON QUIXOTE REACHED
OR COULD REACH; TOGETHER WITH THE HAPPILY ACHIEVED
ADVENTURE OF THE LIONS

CHAPTER XVIII
OF WHAT HAPPENED DON QUIXOTE IN THE CASTLE OR HOUSE
OF THE KNIGHT OF THE GREEN GABAN, TOGETHER WITH
OTHER MATTERS OUT OF THE COMMON

DON QUIXOTE

Volume II.

CHAPTER XV.

WHEREIN IT IS TOLD AND KNOWN WHO THE KNIGHT OF THE MIRRORS AND HIS SQUIRE WERE

Don Quixote went off satisfied, elated, and vain-glorious in the highest degree at having won a victory over such a valiant knight as he fancied him of the Mirrors to be, and one from whose knightly word he expected to learn whether the enchantment of his lady still continued; inasmuch as the said vanquished knight was bound, under the penalty of ceasing to be one, to return and render him an account of what took place between him and her. But Don Quixote was of one mind, he of the Mirrors of another, for he just then had no thought of anything but finding some village where he could plaster himself, as has been said already. The history goes on to say, then, that when the bachelor Samson Carrasco recommended Don Quixote to resume his knight-errantry which he had laid aside, it was in consequence of having been previously in conclave with the curate and the barber on the means to be adopted to induce Don Quixote to stay at home in peace and quiet without worrying himself with his ill-starred adventures; at which consultation it was decided by the unanimous vote of all, and on the special advice of Carrasco, that Don Quixote should be allowed to go, as it seemed impossible to restrain him, and that Samson should sally forth to meet him as a knight-errant, and do battle with him, for there would be no difficulty about a cause, and vanquish him, that being looked upon as an easy matter; and that it should be agreed and settled that the vanquished was to be at the mercy of the victor. Then, Don Quixote being vanquished, the bachelor knight was to command him to return to his village and his house, and not quit it for two years, or until he received further orders from him; all which it was clear Don Quixote would unhesitatingly obey, rather than contravene or fail to observe the laws of chivalry; and during the period of his seclusion he might perhaps forget his folly, or there might be an opportunity of discovering some ready remedy for his madness. Carrasco undertook the task, and Tom Cecial, a gossip and neighbour of Sancho Panza's, a lively, feather-headed fellow, offered himself as his squire. Carrasco armed himself in the fashion described, and Tom Cecial, that he might not be known by his gossip when they met, fitted on over his own natural nose the false masquerade one that has been mentioned; and so they followed the same route Don Quixote took, and almost came up with him in time to be present at the adventure of the cart of Death and finally encountered them in the grove, where all that the sagacious reader has been reading about took place; and had it not been for the extraordinary fancies of Don Quixote, and his conviction that the bachelor was not the bachelor, senor bachelor would have been incapacitated for ever from taking his degree of licentiate, all through not finding nests where he thought to find birds.

Tom Cecial, seeing how ill they had succeeded, and what a sorry end their expedition had come to, said to the bachelor, "Sure enough, Senor Samson Carrasco, we are served right; it is easy enough to plan and set about an enterprise, but it is often a difficult matter to come well out of it. Don Quixote a madman, and we sane; he goes off laughing, safe, and sound, and you are left sore and sorry! I'd like to know now which is the madder, he who is so because he cannot help it, or he who is so of his own choice?"

To which Samson replied, "The difference between the two sorts of madmen is, that he who is so will he nil he, will be one always, while he who is so of his own accord can leave off being one whenever he likes."

"In that case," said Tom Cecial, "I was a madman of my own accord when I volunteered to become your squire, and, of my own accord, I'll leave off being one and go home."

"That's your affair," returned Samson, "but to suppose that I am going home until I have given Don Quixote a thrashing is absurd; and it is not any wish that he may recover his senses that will make me hunt him out now, but a wish for the sore pain I am in with my ribs won't let me entertain more charitable thoughts."

Thus discoursing, the pair proceeded until they reached a town where it was their good luck to find a bone-setter, with whose help the unfortunate Samson was cured. Tom Cecial left him and went home, while he stayed behind meditating vengeance; and the history will return to him again at the proper time, so as not to omit making merry with Don Quixote now.

CHAPTER XVI.

OF WHAT BEFELL DON QUIXOTE WITH A DISCREET GENTLEMAN OF LA MANCHA

Don Quixote pursued his journey in the high spirits, satisfaction, and self-complacency already described, fancying himself the most valorous knight-errant of the age in the world because of his late victory. All the adventures that could befall him from that time forth he regarded as already done and brought to a happy issue; he made light of enchantments and enchanters; he thought no more of the countless drubbings that had been administered to him in the course of his knight-errantry, nor of the volley of stones that had levelled half his teeth, nor of the ingratitude of the galley slaves, nor of the audacity of the Yanguesans and the shower of stakes that fell upon him; in short, he said to himself that could he discover any means, mode, or way of disenchanting his lady Dulcinea, he would not envy the highest fortune that the most fortunate knight-errant of yore ever reached or could reach.

He was going along entirely absorbed in these fancies, when Sancho said to him, "Isn't it odd, senor, that I have still before my eyes that monstrous enormous nose of my gossip, Tom Cecial?"

"And dost thou, then, believe, Sancho," said Don Quixote, "that the Knight of the Mirrors was the bachelor Carrasco, and his squire Tom Cecial thy gossip?"

"I don't know what to say to that," replied Sancho; "all I know is that the tokens he gave me about my own house, wife and children, nobody else but himself could have given me; and the face, once the nose was off, was the very face of Tom Cecial, as I have seen it many a time in my town and next door to my own house; and the sound of the voice was just the same."

"Let us reason the matter, Sancho," said Don Quixote. "Come now, by what process of thinking can it be supposed that the bachelor Samson Carrasco would come as a knight-errant, in arms offensive and defensive, to fight with me? Have I ever been by any chance his enemy? Have I ever given him any occasion to owe me a grudge? Am I his rival, or does he profess arms, that he should envy the fame I have acquired in them?"

"Well, but what are we to say, senor," returned Sancho, "about that knight, whoever he is, being so like the bachelor Carrasco, and his squire so like my gossip, Tom Cecial? And if that be enchantment, as your worship says, was there no other pair in the world for them to take the likeness of?"

"It is all," said Don Quixote, "a scheme and plot of the malignant magicians that persecute me, who, foreseeing that I was to be victorious in the conflict, arranged that the vanquished knight should display the countenance of my friend the bachelor, in order that the friendship I bear him should interpose to stay the edge of my sword and might of my arm, and temper the just wrath of my heart; so that he who sought to take my life by fraud and falsehood should save his own. And to prove it, thou knowest already, Sancho, by experience which cannot lie or deceive, how easy it is for enchanters to change one countenance into another, turning fair into foul, and foul into fair; for it is not two days since thou sawest with thine own eyes the beauty and elegance of the peerless Dulcinea in all its perfection and natural harmony, while I saw her in the repulsive and mean form of a coarse country wench, with cataracts in her eyes and a foul smell in her mouth; and when the perverse enchanter ventured to effect so wicked a transformation, it is no wonder if he effected that of Samson Carrasco and thy gossip in order to snatch the glory of victory out of my grasp. For all that, however, I console myself, because, after all, in whatever shape he may have been, I have victorious over my enemy."

"God knows what's the truth of it all," said Sancho; and knowing as he did that the transformation of Dulcinea had been a device and imposition of his own, his master's illusions were not satisfactory to him; but he did not like to reply lest he should say something that might disclose his trickery.

As they were engaged in this conversation they were overtaken by a man who was following the same road behind them, mounted on a very handsome flea-bitten mare, and dressed in a gaban of fine green cloth, with tawny velvet facings, and a montera of the same velvet. The trappings of the mare were of the field and jineta fashion, and of mulberry colour and green. He carried a Moorish cutlass hanging from a broad green and gold baldric; the buskins were of the same make as the baldric; the spurs were not gilt, but lacquered green, and so brightly polished that, matching as they did the rest of his apparel, they looked better than if they had been of pure gold.

When the traveller came up with them he saluted them courteously, and spurring his mare was passing them without stopping, but Don Quixote called out to him, "Gallant sir, if so be your worship is going our road, and has no occasion for speed, it would be a pleasure to me if we were to join company."

"In truth," replied he on the mare, "I would not pass you so hastily but for fear that horse might turn restive in the company of my mare."

"You may safely hold in your mare, senor," said Sancho in reply to this, "for our horse is the most virtuous and well-behaved horse in the world; he never does anything wrong on such occasions, and the only time he misbehaved, my master and I suffered for it sevenfold; I say again your worship may pull up if you like; for if she was offered to him between two plates the horse would not hanker after her."

The traveller drew rein, amazed at the trim and features of Don Quixote, who rode without his helmet, which Sancho carried like a valise in front of Dapple's pack-saddle; and if the man in green examined Don Quixote closely, still more closely did Don Quixote examine the man in green, who struck him as being a man of intelligence. In appearance he was about fifty years of age, with but few grey hairs, an aquiline cast of features, and an expression between grave and gay; and his dress and accoutrements showed him to be a man of good condition. What he in green thought of Don Quixote of La Mancha was that a man of that sort and shape he had never yet seen; he marvelled at the length of his hair, his lofty stature, the lankness and sallowness of his countenance, his armour, his bearing and his gravity—a figure and picture such as had not been seen in those regions for many a long day.

Don Quixote saw very plainly the attention with which the traveller was regarding him, and read his curiosity in his astonishment; and courteous as he was and ready to please everybody, before the other could ask him any question he anticipated him by saying, "The appearance I present to your worship being so strange and so out of the common, I should not be surprised if it filled you with wonder; but you will cease to wonder when I tell you, as I do, that I am one of those knights who, as people say, go seeking adventures. I have left my home, I have mortgaged my estate, I have given up my comforts, and committed myself to the arms of Fortune, to bear me whithersoever she may please. My desire was to bring to life again knight-errantry, now dead, and for some time past, stumbling here, falling there, now coming down headlong, now raising myself up again, I have carried out a great portion of my design, succouring widows, protecting maidens, and giving aid to wives, orphans, and minors, the proper and natural duty of knights-errant; and, therefore, because of my many valiant and Christian achievements, I have been already found worthy to make my way in print to well-nigh all, or most, of the nations of the earth. Thirty thousand volumes of my history have been printed, and it is on the high-road to be printed thirty thousand thousands of times, if heaven does not put a stop to it. In short, to sum up all in a few words, or in a single one, I may tell you I am Don Quixote of La Mancha, otherwise called 'The Knight of the Rueful Countenance;' for though self-praise is degrading, I must perforce sound my own sometimes, that is to say, when there is no one at hand to do it for me. So that, gentle sir, neither this horse, nor this lance, nor this shield, nor this squire, nor all these arms put together, nor the sallowness of my countenance, nor my gaunt leanness, will henceforth astonish you, now that you know who I am and what profession I follow."

With these words Don Quixote held his peace, and, from the time he took to answer, the man in green seemed to be at a loss for a reply; after a long pause, however, he said to him, "You were right when you saw curiosity in my amazement, sir knight; but you have not succeeded in removing the astonishment I feel at seeing you; for although you say, senor, that knowing who you are ought to remove it, it has not done so; on the contrary, now that I know, I am left more amazed and astonished than before. What! is it possible that there are knights-errant in the world in these days, and histories of real chivalry printed? I cannot realise the fact that there can be anyone on earth now-a-days who aids widows, or protects maidens, or defends wives, or succours orphans; nor should I believe it had I not seen it in your worship with my own eyes. Blessed be heaven! for by means of this history of your noble and genuine chivalrous deeds, which you say has been printed, the countless stories of fictitious knights-errant with which the world is filled, so much to the injury of morality and the prejudice and discredit of good histories, will have been driven into oblivion."

"There is a good deal to be said on that point," said Don Quixote, "as to whether the histories of the knights-errant are fiction or not."

"Why, is there anyone who doubts that those histories are false?" said the man in green.

"I doubt it," said Don Quixote, "but never mind that just now; if our journey lasts long enough, I trust in God I shall show your worship that you do wrong in going with the stream of those who regard it as a matter of certainty that they are not true."

From this last observation of Don Quixote's, the traveller began to have a suspicion that he was some crazy being, and was waiting him to confirm it by something further; but before they could turn to any new subject Don Quixote begged him to tell him who he was, since he himself had rendered account of his station and life. To this, he in the green gaban replied "I, Sir Knight of the Rueful Countenance, am a gentleman by birth, native of the village where, please God, we are going to dine today; I am more than fairly well off, and my name is Don Diego de Miranda. I pass my life with my wife, children, and friends; my pursuits are hunting and fishing, but I keep neither hawks nor greyhounds, nothing but a tame partridge or a bold ferret or two; I have six dozen or so of books, some in our mother tongue, some Latin, some of them history, others devotional; those of chivalry have not as yet crossed the threshold of my door; I am more given to turning over the profane than the devotional, so long as they are books of honest entertainment that charm by their style and attract and interest by the invention they display, though of these there are very few in Spain. Sometimes I dine with my neighbours and friends, and often invite them; my entertainments are neat and well served without stint of anything. I have no taste for tattle, nor do I allow tattling in my presence; I pry not into my neighbours' lives, nor have I lynx-eyes for what others do. I hear mass every day; I share my substance with the poor, making no display of good works, lest I let hypocrisy and vainglory, those enemies that subtly take possession of the most watchful heart, find an entrance into mine. I strive to make peace between those whom I know to be at variance; I am the devoted servant of Our Lady, and my trust is ever in the infinite mercy of God our Lord."

Sancho listened with the greatest attention to the account of the gentleman's life and occupation; and thinking it a good and a holy life, and that he who led it ought to work miracles, he threw himself off Dapple, and running in haste seized his right stirrup and kissed his foot again and again with a devout heart and almost with tears.

Seeing this the gentleman asked him, "What are you about, brother? What are these kisses for?"

"Let me kiss," said Sancho, "for I think your worship is the first saint in the saddle I ever saw all the days of my life."

"I am no saint," replied the gentleman, "but a great sinner; but you are, brother, for you must be a good fellow, as your simplicity shows."

Sancho went back and regained his pack-saddle, having extracted a laugh from his master's profound melancholy, and excited fresh amazement in Don Diego. Don Quixote then asked him how many children he had, and observed that one of the things wherein the ancient philosophers, who were without the true knowledge of God, placed the summum bonum was in the gifts of nature, in those of fortune, in having many friends, and many and good children.

"I, Senor Don Quixote," answered the gentleman, "have one son, without whom, perhaps, I should count myself happier than I am, not because he is a bad son, but because he is not so good as I could wish. He is eighteen years of age; he has been for six at Salamanca studying Latin and Greek, and when I wished him to turn to the study of other sciences I found him so wrapped up in that of poetry (if that can be called a science) that there is no getting him to take kindly to the law, which I wished him to study, or to theology, the queen of them all. I would like him to be an honour to his family, as we live in days when our kings liberally reward learning that is virtuous and worthy; for learning without virtue is a pearl on a dunghill. He spends the whole day in settling whether Homer expressed himself correctly or not in such and such a line of the Iliad, whether Martial was indecent or not in such and such an epigram, whether such and such lines of Virgil are to be understood in this way or in that; in short, all his talk is of the works of these poets, and those of Horace, Perseus, Juvenal, and Tibullus; for of the moderns in our own language he makes no great account; but with all his seeming indifference to Spanish poetry, just now his thoughts are absorbed in making a gloss on four lines that have been sent him from Salamanca, which I suspect are for some poetical tournament."

To all this Don Quixote said in reply, "Children, senor, are portions of their parents' bowels, and therefore, be they good or bad, are to be loved as we love the souls that give us life; it is for the parents to guide them from infancy in the ways of virtue, propriety, and worthy Christian conduct, so that when grown up they may be the staff of their parents' old age, and the glory of their posterity; and to force them to study this or that science I do not think wise, though it may be no harm to persuade them; and when there is no need to study for the sake of pane lucrando, and it is the student's good fortune that heaven has given him parents who provide him with it, it would be my advice to them to let him pursue whatever science they may see him most inclined to; and though that of poetry is less useful than pleasurable, it is not one of those that bring discredit upon the possessor. Poetry, gentle sir, is, as I take it, like a tender young maiden of supreme beauty, to array, bedeck, and adorn whom is the task of several other maidens, who are all the rest of the sciences; and she must avail herself of the help of all, and all derive their lustre from her. But this maiden will not bear to be handled, nor dragged through the streets, nor exposed either at the corners of the market-places, or in the closets of palaces. She is the product of an Alchemy of such virtue that he who is able to practise it, will turn her into pure gold of inestimable worth. He that possesses her must keep her within bounds, not permitting her to break out in ribald satires or soulless sonnets. She must on no account be offered for sale, unless, indeed, it be in heroic poems, moving tragedies, or sprightly and ingenious comedies. She must not be touched by the buffoons, nor by the ignorant vulgar, incapable of comprehending or appreciating her hidden treasures. And do not suppose, senor, that I apply the term vulgar here merely to plebeians and the lower orders; for everyone who is ignorant, be he lord or prince, may and should be included among the vulgar. He, then, who shall embrace and cultivate poetry under the conditions I have named, shall become famous, and his name honoured throughout all the civilised nations of the earth. And with regard to what you say, senor, of your son having no great opinion of Spanish poetry, I am inclined to think that he is not quite right there, and for this reason: the great poet Homer did not write in Latin, because he was a Greek, nor did Virgil write in Greek, because he was a Latin; in short, all the ancient poets wrote in the language they imbibed with their mother's milk, and never went in quest of foreign ones to express their sublime conceptions; and that being so, the usage should in justice extend to all nations, and the German poet should not be undervalued because he writes in his own language, nor the Castilian, nor even the Biscayan, for writing in his. But your son, senor, I suspect, is not prejudiced against Spanish poetry, but against those poets who are mere Spanish verse writers, without any knowledge of other languages or sciences to adorn and give life and vigour to their natural inspiration; and yet even in this he may be wrong; for, according to a true belief, a poet is born one; that is to say, the poet by nature comes forth a poet from his mother's womb; and following the bent that heaven has bestowed upon him, without the aid of study or art, he produces things that show how truly he spoke who said, 'Est Deus in nobis,' etc. At the same time, I say that the poet by nature who calls in art to his aid will be a far better poet, and will surpass him who tries to be one relying upon his knowledge of art alone. The reason is, that art does not surpass nature, but only brings it to perfection; and thus, nature combined with art, and art with nature, will produce a perfect poet. To bring my argument to a close, I would say then, gentle sir, let your son go on as his star leads him, for being so studious as he seems to be, and having already successfully surmounted the first step of the sciences, which is that of the languages, with their help he will by his own exertions reach the summit of polite literature, which so well becomes an independent gentleman, and adorns, honours, and distinguishes him, as much as the mitre does the bishop, or the gown the learned counsellor. If your son write satires reflecting on the honour of others, chide and correct him, and tear them up; but if he compose discourses in which he rebukes vice in general, in the style of Horace, and with elegance like his, commend him; for it is legitimate for a poet to write against envy and lash the envious in his verse, and the other vices too, provided he does not single out individuals; there are, however, poets who, for the sake of saying something spiteful, would run the risk of being banished to the coast of Pontus. If the poet be pure in his morals, he will be pure in his verses too; the pen is the tongue of the mind, and as the thought engendered there, so will be the things that it writes down. And when kings and princes observe this marvellous science of poetry in wise, virtuous, and thoughtful subjects, they honour, value, exalt them, and even crown them with the leaves of that tree which the thunderbolt strikes not, as if to show that they whose brows are honoured and adorned with such a crown are not to be assailed by anyone."

He of the green gaban was filled with astonishment at Don Quixote's argument, so much so that he began to abandon the notion he had taken up about his being crazy. But in the middle of the discourse, it being not very much to his taste, Sancho had turned aside out of the road to beg a little milk from some shepherds, who were milking their ewes hard by; and just as the gentleman, highly pleased, was about to renew the conversation, Don Quixote, raising his head, perceived a cart covered with royal flags coming along the road they were travelling; and persuaded that this must be some new adventure, he called aloud to Sancho to come and bring him his helmet. Sancho, hearing himself called, quitted the shepherds, and, prodding Dapple vigorously, came up to his master, to whom there fell a terrific and desperate adventure.

CHAPTER XVII.

WHEREIN IS SHOWN THE FURTHEST AND HIGHEST POINT WHICH THE UNEXAMPLED COURAGE OF DON QUIXOTE REACHED OR COULD REACH; TOGETHER WITH THE HAPPILY ACHIEVED ADVENTURE OF THE LIONS

The history tells that when Don Quixote called out to Sancho to bring him his helmet, Sancho was buying some curds the shepherds agreed to sell him, and flurried by the great haste his master was in did not know what to do with them or what to carry them in; so, not to lose them, for he had already paid for them, he thought it best to throw them into his master's helmet, and acting on this bright idea he went to see what his master wanted with him. He, as he approached, exclaimed to him:

"Give me that helmet, my friend, for either I know little of adventures, or what I observe yonder is one that will, and does, call upon me to arm myself."

He of the green gaban, on hearing this, looked in all directions, but could perceive nothing, except a cart coming towards them with two or three small flags, which led him to conclude it must be carrying treasure of the King's, and he said so to Don Quixote. He, however, would not believe him, being always persuaded and convinced that all that happened to him must be adventures and still more adventures; so he replied to the gentleman, "He who is prepared has his battle half fought; nothing is lost by my preparing myself, for I know by experience that I have enemies, visible and invisible, and I know not when, or where, or at what moment, or in what shapes they will attack me;" and turning to Sancho he called for his helmet; and Sancho, as he had no time to take out the curds, had to give it just as it was. Don Quixote took it, and without perceiving what was in it thrust it down in hot haste upon his head; but as the curds were pressed and squeezed the whey began to run all over his face and beard, whereat he was so startled that he cried out to Sancho:

"Sancho, what's this? I think my head is softening, or my brains are melting, or I am sweating from head to foot! If I am sweating it is not indeed from fear. I am convinced beyond a doubt that the adventure which is about to befall me is a terrible one. Give me something to wipe myself with, if thou hast it, for this profuse sweat is blinding me."

Sancho held his tongue, and gave him a cloth, and gave thanks to God at the same time that his master had not found out what was the matter. Don Quixote then wiped himself, and took off his helmet to see what it was that made his head feel so cool, and seeing all that white mash inside his helmet he put it to his nose, and as soon as he had smelt it he exclaimed:

"By the life of my lady Dulcinea del Toboso, but it is curds thou hast put here, thou treacherous, impudent, ill-mannered squire!"

To which, with great composure and pretended innocence, Sancho replied, "If they are curds let me have them, your worship, and I'll eat them; but let the devil eat them, for it must have been he who put them there. I dare to dirty your helmet! You have guessed the offender finely! Faith, sir, by the light God gives me, it seems I must have enchanters too, that persecute me as a creature and limb of your worship, and they must have put that nastiness there in order to provoke your patience to anger, and make you baste my ribs as you are wont to do. Well, this time, indeed, they have missed their aim, for I trust to my master's good sense to see that I have got no curds or milk, or anything of the sort; and that if I had it is in my stomach I would put it and not in the helmet."

"May be so," said Don Quixote. All this the gentleman was observing, and with astonishment, more especially when, after having wiped himself clean, his head, face, beard, and helmet, Don Quixote put it on, and settling himself firmly in his stirrups, easing his sword in the scabbard, and grasping his lance, he cried, "Now, come who will, here am I, ready to try conclusions with Satan himself in person!"

By this time the cart with the flags had come up, unattended by anyone except the carter on a mule, and a man sitting in front. Don Quixote planted himself before it and said, "Whither are you going, brothers? What cart is this? What have you got in it? What flags are those?"

To this the carter replied, "The cart is mine; what is in it is a pair of wild caged lions, which the governor of Oran is sending to court as a present to his Majesty; and the flags are our lord the King's, to show that what is here is his property."

"And are the lions large?" asked Don Quixote.

"So large," replied the man who sat at the door of the cart, "that larger, or as large, have never crossed from Africa to Spain; I am the keeper, and I have brought over others, but never any like these. They are male and female; the male is in that first cage and the female in the one behind, and they are hungry now, for they have eaten nothing to-day, so let your worship stand aside, for we must make haste to the place where we are to feed them."

Hereupon, smiling slightly, Don Quixote exclaimed, "Lion-whelps to me! to me whelps of lions, and at such a time! Then, by God! those gentlemen who send them here shall see if I am a man to be frightened by lions. Get down, my good fellow, and as you are the keeper open the cages, and turn me out those beasts, and in the midst of this plain I will let them know who Don Quixote of La Mancha is, in spite and in the teeth of the enchanters who send them to me."

"So, so," said the gentleman to himself at this; "our worthy knight has shown of what sort he is; the curds, no doubt, have softened his skull and brought his brains to a head."

At this instant Sancho came up to him, saying, "Senor, for God's sake do something to keep my master, Don Quixote, from tackling these lions; for if he does they'll tear us all to pieces here."

"Is your master then so mad," asked the gentleman, "that you believe and are afraid he will engage such fierce animals?"

"He is not mad," said Sancho, "but he is venturesome."

"I will prevent it," said the gentleman; and going over to Don Quixote, who was insisting upon the keeper's opening the cages, he said to him, "Sir knight, knights-errant should attempt adventures which encourage the hope of a successful issue, not those which entirely withhold it; for valour that trenches upon temerity savours rather of madness than of courage; moreover, these lions do not come to oppose you, nor do they dream of such a thing; they are going as presents to his Majesty, and it will not be right to stop them or delay their journey."

"Gentle sir," replied Don Quixote, "you go and mind your tame partridge and your bold ferret, and leave everyone to manage his own business; this is mine, and I know whether these gentlemen the lions come to me or not;" and then turning to the keeper he exclaimed, "By all that's good, sir scoundrel, if you don't open the cages this very instant, I'll pin you to the cart with this lance."

The carter, seeing the determination of this apparition in armour, said to him, "Please your worship, for charity's sake, senor, let me unyoke the mules and place myself in safety along with them before the lions are turned out; for if they kill them on me I am ruined for life, for all I possess is this cart and mules."

"O man of little faith," replied Don Quixote, "get down and unyoke; you will soon see that you are exerting yourself for nothing, and that you might have spared yourself the trouble."

The carter got down and with all speed unyoked the mules, and the keeper called out at the top of his voice, "I call all here to witness that against my will and under compulsion I open the cages and let the lions loose, and that I warn this gentleman that he will be accountable for all the harm and mischief which these beasts may do, and for my salary and dues as well. You, gentlemen, place yourselves in safety before I open, for I know they will do me no harm."

Once more the gentleman strove to persuade Don Quixote not to do such a mad thing, as it was tempting God to engage in such a piece of folly. To this, Don Quixote replied that he knew what he was about. The gentleman in return entreated him to reflect, for he knew he was under a delusion.

"Well, senor," answered Don Quixote, "if you do not like to be a spectator of this tragedy, as in your opinion it will be, spur your flea-bitten mare, and place yourself in safety."

Hearing this, Sancho with tears in his eyes entreated him to give up an enterprise compared with which the one of the windmills, and the awful one of the fulling mills, and, in fact, all the feats he had attempted in the whole course of his life, were cakes and fancy bread. "Look ye, senor," said Sancho, "there's no enchantment here, nor anything of the sort, for between the bars and chinks of the cage I have seen the paw of a real lion, and judging by that I reckon the lion such a paw could belong to must be bigger than a mountain."

"Fear at any rate," replied Don Quixote, "will make him look bigger to thee than half the world. Retire, Sancho, and leave me; and if I die here thou knowest our old compact; thou wilt repair to Dulcinea—I say no more." To these he added some further words that banished all hope of his giving up his insane project. He of the green gaban would have offered resistance, but he found himself ill-matched as to arms, and did not think it prudent to come to blows with a madman, for such Don Quixote now showed himself to be in every respect; and the latter, renewing his commands to the keeper and repeating his threats, gave warning to the gentleman to spur his mare, Sancho his Dapple, and the carter his mules, all striving to get away from the cart as far as they could before the lions broke loose. Sancho was weeping over his master's death, for this time he firmly believed it was in store for him from the claws of the lions; and he cursed his fate and called it an unlucky hour when he thought of taking service with him again; but with all his tears and lamentations he did not forget to thrash Dapple so as to put a good space between himself and the cart. The keeper, seeing that the fugitives were now some distance off, once more entreated and warned him as before; but he replied that he heard him, and that he need not trouble himself with any further warnings or entreaties, as they would be fruitless, and bade him make haste.

During the delay that occurred while the keeper was opening the first cage, Don Quixote was considering whether it would not be well to do battle on foot, instead of on horseback, and finally resolved to fight on foot, fearing that Rocinante might take fright at the sight of the lions; he therefore sprang off his horse, flung his lance aside, braced his buckler on his arm, and drawing his sword, advanced slowly with marvellous intrepidity and resolute courage, to plant himself in front of the cart, commending himself with all his heart to God and to his lady Dulcinea.

It is to be observed, that on coming to this passage, the author of this veracious history breaks out into exclamations. "O doughty Don Quixote! high-mettled past extolling! Mirror, wherein all the heroes of the world may see themselves! Second modern Don Manuel de Leon, once the glory and honour of Spanish knighthood! In what words shall I describe this dread exploit, by what language shall I make it credible to ages to come, what eulogies are there unmeet for thee, though they be hyperboles piled on hyperboles! On foot, alone, undaunted, high-souled, with but a simple sword, and that no trenchant blade of the Perrillo brand, a shield, but no bright polished steel one, there stoodst thou, biding and awaiting the two fiercest lions that Africa's forests ever bred! Thy own deeds be thy praise, valiant Manchegan, and here I leave them as they stand, wanting the words wherewith to glorify them!"

Here the author's outburst came to an end, and he proceeded to take up the thread of his story, saying that the keeper, seeing that Don Quixote had taken up his position, and that it was impossible for him to avoid letting out the male without incurring the enmity of the fiery and daring knight, flung open the doors of the first cage, containing, as has been said, the lion, which was now seen to be of enormous size, and grim and hideous mien. The first thing he did was to turn round in the cage in which he lay, and protrude his claws, and stretch himself thoroughly; he next opened his mouth, and yawned very leisurely, and with near two palms' length of tongue that he had thrust forth, he licked the dust out of his eyes and washed his face; having done this, he put his head out of the cage and looked all round with eyes like glowing coals, a spectacle and demeanour to strike terror into temerity itself. Don Quixote merely observed him steadily, longing for him to leap from the cart and come to close quarters with him, when he hoped to hew him in pieces.

So far did his unparalleled madness go; but the noble lion, more courteous than arrogant, not troubling himself about silly bravado, after having looked all round, as has been said, turned about and presented his hind-quarters to Don Quixote, and very coolly and tranquilly lay down again in the cage. Seeing this, Don Quixote ordered the keeper to take a stick to him and provoke him to make him come out.

"That I won't," said the keeper; "for if I anger him, the first he'll tear in pieces will be myself. Be satisfied, sir knight, with what you have done, which leaves nothing more to be said on the score of courage, and do not seek to tempt fortune a second time. The lion has the door open; he is free to come out or not to come out; but as he has not come out so far, he will not come out to-day. Your worship's great courage has been fully manifested already; no brave champion, so it strikes me, is bound to do more than challenge his enemy and wait for him on the field; if his adversary does not come, on him lies the disgrace, and he who waits for him carries off the crown of victory."

"That is true," said Don Quixote; "close the door, my friend, and let me have, in the best form thou canst, what thou hast seen me do, by way of certificate; to wit, that thou didst open for the lion, that I waited for him, that he did not come out, that I still waited for him, and that still he did not come out, and lay down again. I am not bound to do more; enchantments avaunt, and God uphold the right, the truth, and true chivalry! Close the door as I bade thee, while I make signals to the fugitives that have left us, that they may learn this exploit from thy lips."

The keeper obeyed, and Don Quixote, fixing on the point of his lance the cloth he had wiped his face with after the deluge of curds, proceeded to recall the others, who still continued to fly, looking back at every step, all in a body, the gentleman bringing up the rear. Sancho, however, happening to observe the signal of the white cloth, exclaimed, "May I die, if my master has not overcome the wild beasts, for he is calling to us."

They all stopped, and perceived that it was Don Quixote who was making signals, and shaking off their fears to some extent, they approached slowly until they were near enough to hear distinctly Don Quixote's voice calling to them. They returned at length to the cart, and as they came up, Don Quixote said to the carter, "Put your mules to once more, brother, and continue your journey; and do thou, Sancho, give him two gold crowns for himself and the keeper, to compensate for the delay they have incurred through me."

"That will I give with all my heart," said Sancho; "but what has become of the lions? Are they dead or alive?"

The keeper, then, in full detail, and bit by bit, described the end of the contest, exalting to the best of his power and ability the valour of Don Quixote, at the sight of whom the lion quailed, and would not and dared not come out of the cage, although he had held the door open ever so long; and showing how, in consequence of his having represented to the knight that it was tempting God to provoke the lion in order to force him out, which he wished to have done, he very reluctantly, and altogether against his will, had allowed the door to be closed.

"What dost thou think of this, Sancho?" said Don Quixote. "Are there any enchantments that can prevail against true valour? The enchanters may be able to rob me of good fortune, but of fortitude and courage they cannot."

Sancho paid the crowns, the carter put to, the keeper kissed Don Quixote's hands for the bounty bestowed upon him, and promised to give an account of the valiant exploit to the King himself, as soon as he saw him at court.

"Then," said Don Quixote, "if his Majesty should happen to ask who performed it, you must say THE KNIGHT OF THE LIONS; for it is my desire that into this the name I have hitherto borne of Knight of the Rueful Countenance be from this time forward changed, altered, transformed, and turned; and in this I follow the ancient usage of knights-errant, who changed their names when they pleased, or when it suited their purpose."

The cart went its way, and Don Quixote, Sancho, and he of the green gaban went theirs. All this time, Don Diego de Miranda had not spoken a word, being entirely taken up with observing and noting all that Don Quixote did and said, and the opinion he formed was that he was a man of brains gone mad, and a madman on the verge of rationality. The first part of his history had not yet reached him, for, had he read it, the amazement with which his words and deeds filled him would have vanished, as he would then have understood the nature of his madness; but knowing nothing of it, he took him to be rational one moment, and crazy the next, for what he said was sensible, elegant, and well expressed, and what he did, absurd, rash, and foolish; and said he to himself, "What could be madder than putting on a helmet full of curds, and then persuading oneself that enchanters are softening one's skull; or what could be greater rashness and folly than wanting to fight lions tooth and nail?"

Don Quixote roused him from these reflections and this soliloquy by saying, "No doubt, Senor Don Diego de Miranda, you set me down in your mind as a fool and a madman, and it would be no wonder if you did, for my deeds do not argue anything else. But for all that, I would have you take notice that I am neither so mad nor so foolish as I must have seemed to you. A gallant knight shows to advantage bringing his lance to bear adroitly upon a fierce bull under the eyes of his sovereign, in the midst of a spacious plaza; a knight shows to advantage arrayed in glittering armour, pacing the lists before the ladies in some joyous tournament, and all those knights show to advantage that entertain, divert, and, if we may say so, honour the courts of their princes by warlike exercises, or what resemble them; but to greater advantage than all these does a knight-errant show when he traverses deserts, solitudes, cross-roads, forests, and mountains, in quest of perilous adventures, bent on bringing them to a happy and successful issue, all to win a glorious and lasting renown. To greater advantage, I maintain, does the knight-errant show bringing aid to some widow in some lonely waste, than the court knight dallying with some city damsel. All knights have their own special parts to play; let the courtier devote himself to the ladies, let him add lustre to his sovereign's court by his liveries, let him entertain poor gentlemen with the sumptuous fare of his table, let him arrange joustings, marshal tournaments, and prove himself noble, generous, and magnificent, and above all a good Christian, and so doing he will fulfil the duties that are especially his; but let the knight-errant explore the corners of the earth and penetrate the most intricate labyrinths, at each step let him attempt impossibilities, on desolate heaths let him endure the burning rays of the midsummer sun, and the bitter inclemency of the winter winds and frosts; let no lions daunt him, no monsters terrify him, no dragons make him quail; for to seek these, to attack those, and to vanquish all, are in truth his main duties. I, then, as it has fallen to my lot to be a member of knight-errantry, cannot avoid attempting all that to me seems to come within the sphere of my duties; thus it was my bounden duty to attack those lions that I just now attacked, although I knew it to be the height of rashness; for I know well what valour is, that it is a virtue that occupies a place between two vicious extremes, cowardice and temerity; but it will be a lesser evil for him who is valiant to rise till he reaches the point of rashness, than to sink until he reaches the point of cowardice; for, as it is easier for the prodigal than for the miser to become generous, so it is easier for a rash man to prove truly valiant than for a coward to rise to true valour; and believe me, Senor Don Diego, in attempting adventures it is better to lose by a card too many than by a card too few; for to hear it said, 'such a knight is rash and daring,' sounds better than 'such a knight is timid and cowardly.'"

"I protest, Senor Don Quixote," said Don Diego, "everything you have said and done is proved correct by the test of reason itself; and I believe, if the laws and ordinances of knight-errantry should be lost, they might be found in your worship's breast as in their own proper depository and muniment-house; but let us make haste, and reach my village, where you shall take rest after your late exertions; for if they have not been of the body they have been of the spirit, and these sometimes tend to produce bodily fatigue."

"I take the invitation as a great favour and honour, Senor Don Diego," replied Don Quixote; and pressing forward at a better pace than before, at about two in the afternoon they reached the village and house of Don Diego, or, as Don Quixote called him, "The Knight of the Green Gaban."

CHAPTER XVIII.

OF WHAT HAPPENED DON QUIXOTE IN THE CASTLE OR HOUSE OF THE KNIGHT OF THE GREEN GABAN, TOGETHER WITH OTHER MATTERS OUT OF THE COMMON

Don Quixote found Don Diego de Miranda's house built in village style, with his arms in rough stone over the street door; in the patio was the store-room, and at the entrance the cellar, with plenty of wine-jars standing round, which, coming from El Toboso, brought back to his memory his enchanted and transformed Dulcinea; and with a sigh, and not thinking of what he was saying, or in whose presence he was, he exclaimed-

"O ye sweet treasures, to my sorrow found!
Once sweet and welcome when 'twas heaven's good-will.

"O ye Tobosan jars, how ye bring back to my memory the
sweet object of my bitter regrets!"

The student poet, Don Diego's son, who had come out with his mother to receive him, heard this exclamation, and both mother and son were filled with amazement at the extraordinary figure he presented; he, however, dismounting from Rocinante, advanced with great politeness to ask permission to kiss the lady's hand, while Don Diego said, "Senora, pray receive with your wonted kindness Senor Don Quixote of La Mancha, whom you see before you, a knight-errant, and the bravest and wisest in the world."

The lady, whose name was Dona Christina, received him with every sign of good-will and great courtesy, and Don Quixote placed himself at her service with an abundance of well-chosen and polished phrases. Almost the same civilities were exchanged between him and the student, who listening to Don Quixote, took him to be a sensible, clear-headed person.

Here the author describes minutely everything belonging to Don Diego's mansion, putting before us in his picture the whole contents of a rich gentleman-farmer's house; but the translator of the history thought it best to pass over these and other details of the same sort in silence, as they are not in harmony with the main purpose of the story, the strong point of which is truth rather than dull digressions.

They led Don Quixote into a room, and Sancho removed his armour, leaving him in loose Walloon breeches and chamois-leather doublet, all stained with the rust of his armour; his collar was a falling one of scholastic cut, without starch or lace, his buskins buff-coloured, and his shoes polished. He wore his good sword, which hung in a baldric of sea-wolf's skin, for he had suffered for many years, they say, from an ailment of the kidneys; and over all he threw a long cloak of good grey cloth. But first of all, with five or six buckets of water (for as regard the number of buckets there is some dispute), he washed his head and face, and still the water remained whey-coloured, thanks to Sancho's greediness and purchase of those unlucky curds that turned his master so white. Thus arrayed, and with an easy, sprightly, and gallant air, Don Quixote passed out into another room, where the student was waiting to entertain him while the table was being laid; for on the arrival of so distinguished a guest, Dona Christina was anxious to show that she knew how and was able to give a becoming reception to those who came to her house.

While Don Quixote was taking off his armour, Don Lorenzo (for so Don Diego's son was called) took the opportunity to say to his father, "What are we to make of this gentleman you have brought home to us, sir? For his name, his appearance, and your describing him as a knight-errant have completely puzzled my mother and me."

"I don't know what to say, my son," replied. Don Diego; "all I can tell thee is that I have seen him act the acts of the greatest madman in the world, and heard him make observations so sensible that they efface and undo all he does; do thou talk to him and feel the pulse of his wits, and as thou art shrewd, form the most reasonable conclusion thou canst as to his wisdom or folly; though, to tell the truth, I am more inclined to take him to be mad than sane."

With this Don Lorenzo went away to entertain Don Quixote as has been said, and in the course of the conversation that passed between them Don Quixote said to Don Lorenzo, "Your father, Senor Don Diego de Miranda, has told me of the rare abilities and subtle intellect you possess, and, above all, that you are a great poet."

"A poet, it may be," replied Don Lorenzo, "but a great one, by no means. It is true that I am somewhat given to poetry and to reading good poets, but not so much so as to justify the title of 'great' which my father gives me."

"I do not dislike that modesty," said Don Quixote; "for there is no poet who is not conceited and does not think he is the best poet in the world."

"There is no rule without an exception," said Don Lorenzo; "there may be some who are poets and yet do not think they are."

"Very few," said Don Quixote; "but tell me, what verses are those which you have now in hand, and which your father tells me keep you somewhat restless and absorbed? If it be some gloss, I know something about glosses, and I should like to hear them; and if they are for a poetical tournament, contrive to carry off the second prize; for the first always goes by favour or personal standing, the second by simple justice; and so the third comes to be the second, and the first, reckoning in this way, will be third, in the same way as licentiate degrees are conferred at the universities; but, for all that, the title of first is a great distinction."

"So far," said Don Lorenzo to himself, "I should not take you to be a madman; but let us go on." So he said to him, "Your worship has apparently attended the schools; what sciences have you studied?"

"That of knight-errantry," said Don Quixote, "which is as good as that of poetry, and even a finger or two above it."

"I do not know what science that is," said Don Lorenzo, "and until now I have never heard of it."

"It is a science," said Don Quixote, "that comprehends in itself all or most of the sciences in the world, for he who professes it must be a jurist, and must know the rules of justice, distributive and equitable, so as to give to each one what belongs to him and is due to him. He must be a theologian, so as to be able to give a clear and distinctive reason for the Christian faith he professes, wherever it may be asked of him. He must be a physician, and above all a herbalist, so as in wastes and solitudes to know the herbs that have the property of healing wounds, for a knight-errant must not go looking for some one to cure him at every step. He must be an astronomer, so as to know by the stars how many hours of the night have passed, and what clime and quarter of the world he is in. He must know mathematics, for at every turn some occasion for them will present itself to him; and, putting it aside that he must be adorned with all the virtues, cardinal and theological, to come down to minor particulars, he must, I say, be able to swim as well as Nicholas or Nicolao the Fish could, as the story goes; he must know how to shoe a horse, and repair his saddle and bridle; and, to return to higher matters, he must be faithful to God and to his lady; he must be pure in thought, decorous in words, generous in works, valiant in deeds, patient in suffering, compassionate towards the needy, and, lastly, an upholder of the truth though its defence should cost him his life. Of all these qualities, great and small, is a true knight-errant made up; judge then, Senor Don Lorenzo, whether it be a contemptible science which the knight who studies and professes it has to learn, and whether it may not compare with the very loftiest that are taught in the schools."

"If that be so," replied Don Lorenzo, "this science, I protest, surpasses all."

"How, if that be so?" said Don Quixote.

"What I mean to say," said Don Lorenzo, "is, that I doubt whether there are now, or ever were, any knights-errant, and adorned with such virtues."

"Many a time," replied Don Quixote, "have I said what I now say once more, that the majority of the world are of opinion that there never were any knights-errant in it; and as it is my opinion that, unless heaven by some miracle brings home to them the truth that there were and are, all the pains one takes will be in vain (as experience has often proved to me), I will not now stop to disabuse you of the error you share with the multitude. All I shall do is to pray to heaven to deliver you from it, and show you how beneficial and necessary knights-errant were in days of yore, and how useful they would be in these days were they but in vogue; but now, for the sins of the people, sloth and indolence, gluttony and luxury are triumphant."

"Our guest has broken out on our hands," said Don Lorenzo to himself at this point; "but, for all that, he is a glorious madman, and I should be a dull blockhead to doubt it."

Here, being summoned to dinner, they brought their colloquy to a close. Don Diego asked his son what he had been able to make out as to the wits of their guest. To which he replied, "All the doctors and clever scribes in the world will not make sense of the scrawl of his madness; he is a madman full of streaks, full of lucid intervals."

They went in to dinner, and the repast was such as Don Diego said on the road he was in the habit of giving to his guests, neat, plentiful, and tasty; but what pleased Don Quixote most was the marvellous silence that reigned throughout the house, for it was like a Carthusian monastery.

When the cloth had been removed, grace said and their hands washed, Don Quixote earnestly pressed Don Lorenzo to repeat to him his verses for the poetical tournament, to which he replied, "Not to be like those poets who, when they are asked to recite their verses, refuse, and when they are not asked for them vomit them up, I will repeat my gloss, for which I do not expect any prize, having composed it merely as an exercise of ingenuity."

"A discerning friend of mine," said Don Quixote, "was of opinion that no one ought to waste labour in glossing verses; and the reason he gave was that the gloss can never come up to the text, and that often or most frequently it wanders away from the meaning and purpose aimed at in the glossed lines; and besides, that the laws of the gloss were too strict, as they did not allow interrogations, nor 'said he,' nor 'I say,' nor turning verbs into nouns, or altering the construction, not to speak of other restrictions and limitations that fetter gloss-writers, as you no doubt know."

"Verily, Senor Don Quixote," said Don Lorenzo, "I wish I could catch your worship tripping at a stretch, but I cannot, for you slip through my fingers like an eel."

"I don't understand what you say, or mean by slipping," said Don Quixote.

"I will explain myself another time," said Don Lorenzo; "for the present pray attend to the glossed verses and the gloss, which run thus:

Could 'was' become an 'is' for me,
Then would I ask no more than this;
Or could, for me, the time that is
Become the time that is to be!—

GLOSS

Dame Fortune once upon a day
To me was bountiful and kind;
But all things change; she changed her mind,
And what she gave she took away.
O Fortune, long I've sued to thee;
The gifts thou gavest me restore,
For, trust me, I would ask no more,
Could 'was' become an 'is' for me.

No other prize I seek to gain,
No triumph, glory, or success,
Only the long-lost happiness,
The memory whereof is pain.
One taste, methinks, of bygone bliss
The heart-consuming fire might stay;
And, so it come without delay,
Then would I ask no more than this.

I ask what cannot be, alas!
That time should ever be, and then
Come back to us, and be again,
No power on earth can bring to pass;
For fleet of foot is he, I wis,
And idly, therefore, do we pray
That what for aye hath left us may
Become for us the time that is.

Perplexed, uncertain, to remain
'Twixt hope and fear, is death, not life;
'Twere better, sure, to end the strife,
And dying, seek release from pain.
And yet, thought were the best for me.
Anon the thought aside I fling,
And to the present fondly cling,
And dread the time that is to be."

When Don Lorenzo had finished reciting his gloss, Don Quixote stood up, and in a loud voice, almost a shout, exclaimed as he grasped Don Lorenzo's right hand in his, "By the highest heavens, noble youth, but you are the best poet on earth, and deserve to be crowned with laurel, not by Cyprus or by Gaeta—as a certain poet, God forgive him, said—but by the Academies of Athens, if they still flourished, and by those that flourish now, Paris, Bologna, Salamanca. Heaven grant that the judges who rob you of the first prize—that Phoebus may pierce them with his arrows, and the Muses never cross the thresholds of their doors. Repeat me some of your long-measure verses, senor, if you will be so good, for I want thoroughly to feel the pulse of your rare genius."

Is there any need to say that Don Lorenzo enjoyed hearing himself praised by Don Quixote, albeit he looked upon him as a madman? power of flattery, how far-reaching art thou, and how wide are the bounds of thy pleasant jurisdiction! Don Lorenzo gave a proof of it, for he complied with Don Quixote's request and entreaty, and repeated to him this sonnet on the fable or story of Pyramus and Thisbe.

SONNET

The lovely maid, she pierces now the wall;
Heart-pierced by her young Pyramus doth lie;
And Love spreads wing from Cyprus isle to fly,
A chink to view so wondrous great and small.
There silence speaketh, for no voice at all
Can pass so strait a strait; but love will ply
Where to all other power 'twere vain to try;
For love will find a way whate'er befall.
Impatient of delay, with reckless pace
The rash maid wins the fatal spot where she
Sinks not in lover's arms but death's embrace.
So runs the strange tale, how the lovers twain
One sword, one sepulchre, one memory,
Slays, and entombs, and brings to life again.

"Blessed be God," said Don Quixote when he had heard Don Lorenzo's sonnet, "that among the hosts there are of irritable poets I have found one consummate one, which, senor, the art of this sonnet proves to me that you are!"

For four days was Don Quixote most sumptuously entertained in Don Diego's house, at the end of which time he asked his permission to depart, telling him he thanked him for the kindness and hospitality he had received in his house, but that, as it did not become knights-errant to give themselves up for long to idleness and luxury, he was anxious to fulfill the duties of his calling in seeking adventures, of which he was informed there was an abundance in that neighbourhood, where he hoped to employ his time until the day came round for the jousts at Saragossa, for that was his proper destination; and that, first of all, he meant to enter the cave of Montesinos, of which so many marvellous things were reported all through the country, and at the same time to investigate and explore the origin and true source of the seven lakes commonly called the lakes of Ruidera.

Don Diego and his son commended his laudable resolution, and bade him furnish himself with all he wanted from their house and belongings, as they would most gladly be of service to him; which, indeed, his personal worth and his honourable profession made incumbent upon them.

The day of his departure came at length, as welcome to Don Quixote as it was sad and sorrowful to Sancho Panza, who was very well satisfied with the abundance of Don Diego's house, and objected to return to the starvation of the woods and wilds and the short-commons of his ill-stocked alforjas; these, however, he filled and packed with what he considered needful. On taking leave, Don Quixote said to Don Lorenzo, "I know not whether I have told you already, but if I have I tell you once more, that if you wish to spare yourself fatigue and toil in reaching the inaccessible summit of the temple of fame, you have nothing to do but to turn aside out of the somewhat narrow path of poetry and take the still narrower one of knight-errantry, wide enough, however, to make you an emperor in the twinkling of an eye."

In this speech Don Quixote wound up the evidence of his madness, but still better in what he added when he said, "God knows, I would gladly take Don Lorenzo with me to teach him how to spare the humble, and trample the proud under foot, virtues that are part and parcel of the profession I belong to; but since his tender age does not allow of it, nor his praiseworthy pursuits permit it, I will simply content myself with impressing it upon your worship that you will become famous as a poet if you are guided by the opinion of others rather than by your own; because no fathers or mothers ever think their own children ill-favoured, and this sort of deception prevails still more strongly in the case of the children of the brain."

Both father and son were amazed afresh at the strange medley Don Quixote talked, at one moment sense, at another nonsense, and at the pertinacity and persistence he displayed in going through thick and thin in quest of his unlucky adventures, which he made the end and aim of his desires. There was a renewal of offers of service and civilities, and then, with the gracious permission of the lady of the castle, they took their departure, Don Quixote on Rocinante, and Sancho on Dapple.

End of the Project Gutenberg EBook of The History of Don Quixote, Vol. II.,
Part 22, by Miguel de Cervantes

*** END OF THIS PROJECT GUTENBERG EBOOK DON QUIXOTE, PART 22 ***

***** This file should be named 5925-h.htm or 5925-h.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.net/5/9/2/5925/

Produced by David Widger

Updated editions will replace the previous one--the old editions
will be renamed.

Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties.  Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark.  Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission.  If you
do not charge anything for copies of this eBook, complying with the
rules is very easy.  You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research.  They may be modified and printed and given away--you may do
practically ANYTHING with public domain eBooks.  Redistribution is
subject to the trademark license, especially commercial
redistribution.

*** START: FULL LICENSE ***

THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK

To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase "Project
Gutenberg"), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.net/license).

Section 1.  General Terms of Use and Redistributing Project Gutenberg-tm
electronic works

1.A.  By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement.  If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.

1.B.  "Project Gutenberg" is a registered trademark.  It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement.  There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement.  See
paragraph 1.C below.  There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works.  See paragraph 1.E below.

1.C.  The Project Gutenberg Literary Archive Foundation ("the Foundation"
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works.  Nearly all the individual works in the
collection are in the public domain in the United States.  If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed.  Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work.  You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.

1.D.  The copyright laws of the place where you are located also govern
what you can do with this work.  Copyright laws in most countries are in
a constant state of change.  If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work.  The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.

1.E.  Unless you have removed all references to Project Gutenberg:

1.E.1.  The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase "Project Gutenberg" appears, or with which the phrase "Project
Gutenberg" is associated) is accessed, displayed, performed, viewed,
copied or distributed:

This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever.  You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net

1.E.2.  If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges.  If you are redistributing or providing access to a work
with the phrase "Project Gutenberg" associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.

1.E.3.  If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder.  Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.

1.E.4.  Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.

1.E.5.  Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.

1.E.6.  You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form.  However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
"Plain Vanilla ASCII" or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.net),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original "Plain Vanilla ASCII" or other
form.  Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.

1.E.7.  Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.

1.E.8.  You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that

- You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes.  The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation.  Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns.  Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, "Information about donations to
the Project Gutenberg Literary Archive Foundation."

- You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License.  You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.

- You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.

- You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.

1.E.9.  If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark.  Contact the
Foundation as set forth in Section 3 below.

1.F.

1.F.1.  Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection.  Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
"Defects," such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.

1.F.2.  LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right
of Replacement or Refund" described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees.  YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3.  YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.

1.F.3.  LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from.  If you
received the work on a physical medium, you must return the medium with
your written explanation.  The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund.  If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund.  If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.

1.F.4.  Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO
WARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.

1.F.5.  Some states do not allow disclaimers of certain implied
warranties or the exclusion or limitation of certain types of damages.
If any disclaimer or limitation set forth in this agreement violates the
law of the state applicable to this agreement, the agreement shall be
interpreted to make the maximum disclaimer or limitation permitted by
the applicable state law.  The invalidity or unenforceability of any
provision of this agreement shall not void the remaining provisions.

1.F.6.  INDEMNITY - You agree to indemnify and hold the Foundation, the
trademark owner, any agent or employee of the Foundation, anyone
providing copies of Project Gutenberg-tm electronic works in accordance
with this agreement, and any volunteers associated with the production,
promotion and distribution of Project Gutenberg-tm electronic works,
harmless from all liability, costs and expenses, including legal fees,
that arise directly or indirectly from any of the following which you do
or cause to occur: (a) distribution of this or any Project Gutenberg-tm
work, (b) alteration, modification, or additions or deletions to any
Project Gutenberg-tm work, and (c) any Defect you cause.

Section  2.  Information about the Mission of Project Gutenberg-tm

Project Gutenberg-tm is synonymous with the free distribution of
electronic works in formats readable by the widest variety of computers
including obsolete, old, middle-aged and new computers.  It exists
because of the efforts of hundreds of volunteers and donations from
people in all walks of life.

Volunteers and financial support to provide volunteers with the
assistance they need, is critical to reaching Project Gutenberg-tm's
goals and ensuring that the Project Gutenberg-tm collection will
remain freely available for generations to come.  In 2001, the Project
Gutenberg Literary Archive Foundation was created to provide a secure
and permanent future for Project Gutenberg-tm and future generations.
To learn more about the Project Gutenberg Literary Archive Foundation
and how your efforts and donations can help, see Sections 3 and 4
and the Foundation web page at http://www.pglaf.org.

Section 3.  Information about the Project Gutenberg Literary Archive
Foundation

The Project Gutenberg Literary Archive Foundation is a non profit
501(c)(3) educational corporation organized under the laws of the
state of Mississippi and granted tax exempt status by the Internal
Revenue Service.  The Foundation's EIN or federal tax identification
number is 64-6221541.  Its 501(c)(3) letter is posted at
http://pglaf.org/fundraising.  Contributions to the Project Gutenberg
Literary Archive Foundation are tax deductible to the full extent
permitted by U.S. federal laws and your state's laws.

The Foundation's principal office is located at 4557 Melan Dr. S.
Fairbanks, AK, 99712., but its volunteers and employees are scattered
throughout numerous locations.  Its business office is located at
809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email
business@pglaf.org.  Email contact links and up to date contact
information can be found at the Foundation's web site and official
page at http://pglaf.org

For additional contact information:
Dr. Gregory B. Newby
Chief Executive and Director
gbnewby@pglaf.org

Section 4.  Information about Donations to the Project Gutenberg
Literary Archive Foundation

Project Gutenberg-tm depends upon and cannot survive without wide
spread public support and donations to carry out its mission of
increasing the number of public domain and licensed works that can be
freely distributed in machine readable form accessible by the widest
array of equipment including outdated equipment.  Many small donations
($1 to $5,000) are particularly important to maintaining tax exempt
status with the IRS.

The Foundation is committed to complying with the laws regulating
charities and charitable donations in all 50 states of the United
States.  Compliance requirements are not uniform and it takes a
considerable effort, much paperwork and many fees to meet and keep up
with these requirements.  We do not solicit donations in locations
where we have not received written confirmation of compliance.  To
SEND DONATIONS or determine the status of compliance for any
particular state visit http://pglaf.org

While we cannot and do not solicit contributions from states where we
have not met the solicitation requirements, we know of no prohibition
against accepting unsolicited donations from donors in such states who
approach us with offers to donate.

International donations are gratefully accepted, but we cannot make
any statements concerning tax treatment of donations received from
outside the United States.  U.S. laws alone swamp our small staff.

Please check the Project Gutenberg Web pages for current donation
methods and addresses.  Donations are accepted in a number of other
ways including including checks, online payments and credit card
donations.  To donate, please visit: http://pglaf.org/donate

Section 5.  General Information About Project Gutenberg-tm electronic
works.

Professor Michael S. Hart is the originator of the Project Gutenberg-tm
concept of a library of electronic works that could be freely shared
with anyone.  For thirty years, he produced and distributed Project
Gutenberg-tm eBooks with only a loose network of volunteer support.

Project Gutenberg-tm eBooks are often created from several printed
editions, all of which are confirmed as Public Domain in the U.S.
unless a copyright notice is included.  Thus, we do not necessarily
keep eBooks in compliance with any particular paper edition.

Most people start at our Web site which has the main PG search facility:

http://www.gutenberg.net

This Web site includes information about Project Gutenberg-tm,
including how to make donations to the Project Gutenberg Literary
Archive Foundation, how to help produce our new eBooks, and how to
subscribe to our email newsletter to hear about new eBooks.

Table of Contents

THE HISTORY OF DON QUIXOTE, Vol. II., Part 22.

CHAPTER XV.

CHAPTER XVI.

CHAPTER XVII.

CHAPTER XVIII.